Death of the Critic

Criticism

Religious Rap

Written by: Tom Blaich

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Coloring Book, the newest “mixtape” from artist Chance the Rapper, highlights many interesting things about the rap music industry. It’s a mixtape with timed exclusivity on Apple Music, a free album that might put him in the running for album of the year, and exists as a heavily gospel influenced album in a realm where self-described “Christian music” is looked down upon. But by circumventing that label and refusing to categorize his album in that way, Chance has delivered a musical bombshell that has fans asking what they are really listening to.

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LGBTQ Hip Hop: The Tantalizing Problem of Labeling

Written by: Tom Blaich

Historically speaking, rap music has always been a way for a marginalized group to express themselves creatively. And in the recent years of civil rights questions surrounding the GSM (Gender and Sexual Minority) community, we can see a surge in the number of rappers that identify in that way trying to take their feelings and reflect them onto the world through their music. Rappers like Zebra Katz, Contessa “Cunt Mafia” Stutto, Angel Haze, Big Dipper, Cakes da Killa, House of Ladosha, and others are leading the so-called “homo hop” or “queer rap” movement into the 21st century. But there are problems that are associated with taking this talented group and applying this label to them. Read More…
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Ramblings on Criticism

Written by: Tom Blaich

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Recently an interesting thought came to mind. I’m a critic, for better or for worse, and it makes me think about the media that I consume in an interesting way. I can’t help myself but look for symbolism and deeper meanings within work, and there is something amazing about discussing them with my friends.

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When Black is not Black Enough - Drake and Coding in Hip-Hop

Written by: Tom Blaich

There is a really big problem with gatekeeping in the hip-hop industry. We like to draw a sharp divide between “real” fans and most listeners, and that attitude frequently extends to the way we treat artists. This discussion is so often highly racially code. It is why Eminem is treated like a marvel, because he is the “one good white rapper.” There is a high barrier to entry to the industry and it is all about how “black” an artist can present themselves as.
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