Death of the Critic

Religion

Religious Rap

Written by: Tom Blaich

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Coloring Book, the newest “mixtape” from artist Chance the Rapper, highlights many interesting things about the rap music industry. It’s a mixtape with timed exclusivity on Apple Music, a free album that might put him in the running for album of the year, and exists as a heavily gospel influenced album in a realm where self-described “Christian music” is looked down upon. But by circumventing that label and refusing to categorize his album in that way, Chance has delivered a musical bombshell that has fans asking what they are really listening to.

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Uncomfortable - Review

Written by: Tom Blaich

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The label “Christian rapper” carries with it a negative connotation in the rap community. It’s one of the reasons that Andy Mineo chooses to reject it. He wants his lyrics to reach all audiences, not just a Christian one. And coming into his second studio album
Uncomfortable, Mineo looks to shake up the dynamic he has created in his last two albums, Heroes for Sale and Never Land.

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The Gospel of Rap

Written by: Tom Blaich

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Hip-hop and religion are intrinsically linked. Far from the all-too-common perception of hip-hop as being tied purely into drugs and violence, hip-hop has acted as a reflection of the culture and artists that create it since the first time a track was spun in the Bronx in the 70’s. In the four decades since, woven throughout hip-hop are religious threads that are becoming more and more evident each day.
We wrote about it in our article on preconceptions against religious rap last year, but we did not examine the root of it, where this new trend came from.

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