Death of the Critic

Articles

Music with a Message

Written by: Tom Blaich

Everybody_Album_Cover


If you read a lot of writing about music, you will start to notice a common criticism crop up over and over again: that the song or album is shallow. It is particularly relevant when that project has a message that it is trying to convey. So, what separates an album that communicates its message well versus one that is shallow, even if both of them are trying to deal with the same level of subject matter: racism, sexism, violence, or more.

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Expectations vs Reality

Written by: Tom Blaich

Kendrick_Lamar


In these times, sequels are the name of the game. Finding a franchise that can be used over and over again to draw people to stores and theaters. The same can be said of music alongside games and movies, as fans eagerly await the newest release by their favorite artist. The only difference is where the name recognition lies. For games it might be with a franchise or a studio, in movies with a lead actor or director, and in music it lies firmly with the artist.

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The Gospel of Rap

Written by: Tom Blaich

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Hip-hop and religion are intrinsically linked. Far from the all-too-common perception of hip-hop as being tied purely into drugs and violence, hip-hop has acted as a reflection of the culture and artists that create it since the first time a track was spun in the Bronx in the 70’s. In the four decades since, woven throughout hip-hop are religious threads that are becoming more and more evident each day.
We wrote about it in our article on preconceptions against religious rap last year, but we did not examine the root of it, where this new trend came from.

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When Black is not Black Enough - Drake and Coding in Hip-Hop

Written by: Tom Blaich

There is a really big problem with gatekeeping in the hip-hop industry. We like to draw a sharp divide between “real” fans and most listeners, and that attitude frequently extends to the way we treat artists. This discussion is so often highly racially code. It is why Eminem is treated like a marvel, because he is the “one good white rapper.” There is a high barrier to entry to the industry and it is all about how “black” an artist can present themselves as.
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I Miss the Old Kanye

Written by: Tom Blaich

Kanye


2016 was a hell of a year for Kanye West. It seems that no matter what he says or does, he can’t stay out of the limelight. He has been put under a microscope that everyone is looking through in a way that few people ever are, and it has clearly taken its toll on him. Yet at the beginning of the year, it looked like things could finally be turning around for him.
The Life of Pablo (formerly WAVES) finally came out and it seemed like he had overcome the writer’s block that he had been struggling with for years. His collaborations were hot, and his work with Chance the Rapper helped make some of the best songs of the year.

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Religious Rap

Written by: Tom Blaich

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Coloring Book, the newest “mixtape” from artist Chance the Rapper, highlights many interesting things about the rap music industry. It’s a mixtape with timed exclusivity on Apple Music, a free album that might put him in the running for album of the year, and exists as a heavily gospel influenced album in a realm where self-described “Christian music” is looked down upon. But by circumventing that label and refusing to categorize his album in that way, Chance has delivered a musical bombshell that has fans asking what they are really listening to.

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LGBTQ Hip Hop: The Tantalizing Problem of Labeling

Written by: Tom Blaich

Historically speaking, rap music has always been a way for a marginalized group to express themselves creatively. And in the recent years of civil rights questions surrounding the GSM (Gender and Sexual Minority) community, we can see a surge in the number of rappers that identify in that way trying to take their feelings and reflect them onto the world through their music. Rappers like Zebra Katz, Contessa “Cunt Mafia” Stutto, Angel Haze, Big Dipper, Cakes da Killa, House of Ladosha, and others are leading the so-called “homo hop” or “queer rap” movement into the 21st century. But there are problems that are associated with taking this talented group and applying this label to them. Read More…
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Ramblings on Criticism

Written by: Tom Blaich

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Recently an interesting thought came to mind. I’m a critic, for better or for worse, and it makes me think about the media that I consume in an interesting way. I can’t help myself but look for symbolism and deeper meanings within work, and there is something amazing about discussing them with my friends.

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