Death of the Critic

Kanye West

The Life of Pablo - Review

Written by: Tom Blaich

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I never thought that I would say that Kanye West was anything less than the most confident person in the room. No matter what room it was. Or how big it is. While we do get a feeling of insecurity in his music, as he tackles a feeling of not belonging where he is, it is more of a sense that no one will accept him for how great he is, as opposed to him not being great.

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We got it from Here... Thank You 4 Your service - Review

Written by: Tom Blaich

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It can be really hard to talk about some albums. To get across exactly what is going on in the layers of music that the artist has built up. The better the album is, the more difficulty I have talking about them in a way that I feel does them justice. It would be the easiest review in the world to say that an album was trash, and convince you of it. But to say that an album is excellent? Amazing? It becomes increasingly difficult to make that point in a way that carries the full weight the album holds. I'll say this without reservations, We got it from Here... Thank You 4 Your service is hands down one of the best albums to come out this year, and if you care at all about hip-hop, you should listen to this album.

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I Miss the Old Kanye

Written by: Tom Blaich

Kanye


2016 was a hell of a year for Kanye West. It seems that no matter what he says or does, he can’t stay out of the limelight. He has been put under a microscope that everyone is looking through in a way that few people ever are, and it has clearly taken its toll on him. Yet at the beginning of the year, it looked like things could finally be turning around for him.
The Life of Pablo (formerly WAVES) finally came out and it seemed like he had overcome the writer’s block that he had been struggling with for years. His collaborations were hot, and his work with Chance the Rapper helped make some of the best songs of the year.

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The Gospel of Rap

Written by: Tom Blaich

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Hip-hop and religion are intrinsically linked. Far from the all-too-common perception of hip-hop as being tied purely into drugs and violence, hip-hop has acted as a reflection of the culture and artists that create it since the first time a track was spun in the Bronx in the 70’s. In the four decades since, woven throughout hip-hop are religious threads that are becoming more and more evident each day.
We wrote about it in our article on preconceptions against religious rap last year, but we did not examine the root of it, where this new trend came from.

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Expectations vs Reality

Written by: Tom Blaich

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In these times, sequels are the name of the game. Finding a franchise that can be used over and over again to draw people to stores and theaters. The same can be said of music alongside games and movies, as fans eagerly await the newest release by their favorite artist. The only difference is where the name recognition lies. For games it might be with a franchise or a studio, in movies with a lead actor or director, and in music it lies firmly with the artist.

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