Death of the Critic

Kendrick Lamar

untitled unmastered - Review

Written by: Tom Blaich

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It’s always a good day when a new album drops. It’s a great day when one drops unexpectedly. And following the early release of
To Pimp A Butterfly last year, Kendrick Lamar continues to surprise with a new album that came out of nowhere and landed in our laps. It’s a good day.

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The Life of Pablo - Review

Written by: Tom Blaich

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I never thought that I would say that Kanye West was anything less than the most confident person in the room. No matter what room it was. Or how big it is. While we do get a feeling of insecurity in his music, as he tackles a feeling of not belonging where he is, it is more of a sense that no one will accept him for how great he is, as opposed to him not being great.

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To Pimp A Butterfly - Review

Written by: Tom Blaich

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Kendrick Lamar is a powerhouse of West-coast rap, and his new album,
To Pimp a Butterfly, just reinforces this idea even more. After Good Kid M.A.A.D City, fireball debut in 2012, fans were left wondering, could Lamar top this effort, and after three years of waiting, that question can be answered.

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DAMN. - Review

Written by: Tom Blaich

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Kendrick Lamar is an artist that has always grown on me, and he has been remarkably consistent in putting out amazing records, even if it sometimes takes me a few listens to get into them. With this success has come a certain expectations, a bias towards greatness and groundbreaking tracks. His
B-sides collection was one of my favorite albums of last year. And I think that this expectation is somewhat unfair. DAMN is a great album, there are no doubts about that, but it isn’t of the same level as either To Pimp a Butterfly or Good Kid, M.A.A.D City. Would I think more highly of it if I didn’t have either of these albums to compare it to, or if it was from a different artist? Is it even fair to compare them to each other? It is hard to eliminate one’s biases in writing a(n) (inherently subjective) review, but at the very least we try to make it known.

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Everybody - Review

Written by: Tom Blaich

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I’ve always thought that
Logic had an incredible amount of talent in some aspects of his music. His technical ability is high, and his beats and production have always been top notch. But unfortunately, he has consistently been held back by his lyrics, and that is only emphasized in his newest release of Everybody. With this, his penultimate album, he is trying to become more conceptual, explore topics and areas that he thinks others have left ignored. It is an album about love and acceptance, about pride in oneself and in one’s people, about the way in which we all belong in this big world, and about the wrongs that we commit and how we shouldn’t.

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