Superhero Fatigue
With today’s release of Wonder Woman, it has been a little over nine years since the release of the first Iron Man movie, and with it, the beginning of an international love affair with these spandex-clad superhuman, ripped from the pulpy pages of so many comic books. In these nine short years, we’ve seen the release of 36 mainstream comic book superhero movies, with even more films about the superpowers surrounding them.
It is an unprecedented inundation, and it shows no sign of slowing down, with juggernauts like The Justice League, Infinity War, Black Panther, and more on the horizon. And it is becoming harder and harder to keep getting ourselves excited at this point. The good guys beat the bad guy who had some sort of device/magic/being that threatened a city/country/world with total annihilation.
Death Doesn't Matter Anymore
Movies have raised the stakes. We have started to aim bigger and bigger. No longer are our heroes in any danger, or a simple building, plane, or even airport. Now cities are cast aside as fodder as the entire world is targeted, or even more. Each blockbuster feels like it needs to one-up their predecessor. It has created an ever increasing arms race of destruction, a spiral with no end in sight, and in doing so, it has made death and disaster cease to matter. X-Men: Apocalypse, Suicide Squad, Star Wars: The Force Awakens, The Avengers: Age of Ultron, and so many more.
We watch as our villains wipe out entire cities with a wave of their evil hands to prove how powerful and merciless they are. When they do, we are supposed to empathize with the victims and fear for the lives of our heroes. Instead we find ourselves feeling bored and eating for the writers to brush these events under the rug by the conclusion of the film with no one, except for the big bad, any worse for wear. Except for all of the dead civilians but hey, who cares about them. Read More…
Suicide Squad - Review
It is no secret that Suicide Squad's production was plagued with problems from the beginning. From stories of reshoots, reedits, and test audiences changing the tone of the film, we don't know what the movie was originally going to look like. What we do know is that the movie that we did get is ultimately disappointing. Bogged down by an oversized cast, poor writing, plot holes, and unkept promises, what started out as an exciting trailer ended poorly and leaves a rotten taste in your mouth.
Logan and the R-Rated Superhero
Deadpool came out almost a year ago and somehow managed to be a huge commercial success. With Logan coming out today, many have predicted that this success will be repeated. But what does this mean for the comic book superhero? Comics can be dark, frequently being much more explicit than their on screen counterparts. Glossy pages splashed with blood and gore, provocatively dressed heroines, and sinister plots spanning decades. Movies aren’t afraid of violence, but blood and sex make them squeamish.